Spoiler: Emily is not a cyborg
The Trouble with Grace
The Trouble with Grace by Jenn LeBlanc is 99c at Amazon and iBooks! This historical romance serves as a prequel for the next book and seems to feature a triad of sorts. Readers recommend this one for those wanting a different sort of historical romance, while others said it was hard to get invested in the romance.
She had no idea what passion was,
Until she saw them…
Lady Alain needs a husband, and Quintin Wyntor will do just fine.
She will offer him a mutual agreement of respect and independence–
As long as he never visits her bed to claim his marital rights.
But seeing him with a man, with Calder, changes it all.
For better–and for worse.
And yet, she still never wants to touch or be touched.
But Quinn’s heart is shattered when his lover walks away so he decides to explore his feelings for Celeste to ease his broken heart.
In one unchecked moment of passion, mutual need spins out of control and bringing Calder home now may just be impossible.
Will Celeste give in to what Quinn wants for her?
Or will she stand her ground and hope they find another way…
This book is the story of Celeste and has her happily for now.
It is also the beginning of Calder and Quinn’s story which will be continued in THE SPARE AND THE HEIR.
This book is an autochorissexual romance (on the asexual spectrum) but contains important pieces of a gay romance. Both are explicit.
Warning: this book has a cliffhanger ending for Calder and Quinn, but is very much part of their story.
Down & Dirty
Down & Dirty by Tracy Wolff is $1.99! This sports romance is the first book in the Lightning series. Readers said that while the book is definitely a sexy contemporary, it has some great emotional depth. However, some felt the romance aspect happened a bit too quickly.
This hard-bodied football star is used to scoring. But he needs all the right moves to get past a fiery redhead’s defenses in a steamy standalone novel from the bestselling author of Ruined.
Emerson: Talk about bad first impressions. I have too much riding on this job to show up late on my first day looking like the winner of a wet T-shirt contest, all thanks to an arrogant quarterback who drives like he owns the road. Hunter Browning thinks that because he’s famous, he can fix everything with a smile and a wave of his hand. He’s too bronzed, buff, and beautiful for his own good. Or mine. I can’t let on that I’m a fan . . . no matter how much fun we’d have in the sack.
Hunter: Hitting that puddle was my best play since winning the Super Bowl with a touchdown pass. Sure, it’s not my preferred way to get a girl wet, but I’ll make an exception for Emerson Day. She’s got a sharp tongue and a red-hot temper, even with her soaking clothes plastered to her every curve. Now I know exactly what my next play will be: hire Emerson as my personal real-estate agent, save her job—and see if I can take her off the market.
A Summer for Scandal
A Summer for Scandal by Lydia San Adres is $1.99! This is a historical romance set in the Caribbean with a heroine hiding her writing identity. One promising review said the feeling between the hero and heroine is very much like Mr. Darcy and Lizzie, but some said the plot execution could have used some work. It has a 3.8-star rating on Goodreads.
Arroyo Blanco, 1911.
When Emilia Cruz agreed to accompany her sister to a boating party, she had no idea that the darling of the literary world would be in assistance—or that he would take such pleasure in disparaging the deliciously sinful serial she writes under a pseudonym. No one save her sister knows she’s the author and to be found out would mean certain scandal.
Stuck on his long-awaited second book, Ruben Torres has begun to edit in secret a gossip paper whose literary reviews are as cruel as they are clever. The more he writes about the mysterious author of a popular serial, the more papers he sells…and the more he is determined to find out her identity before anyone else can.
Vampire Warrior Kings Boxed Set
The Vampire Warrior Kings Boxed Set by Laura Kaye is $1.99 at Amazon and iBooks! It’s $2.49 at all other vendors. This set collects books 1-3 in the Vampire Warrior Kings series and features vampires, obviously. Just a note that these romances are on the shorter side.
Get Laura Kaye’s three bestselling and award-winning Vampire Warrior Kings stories at one great price! Travel from Northern Ireland to Moscow, Russia, to Tromso, Norway in this exciting series featuring the world’s remaining vampire warrior kings as they battle immortal enemies in an escalating war and find unexpected love.
In the Service of the King
Kael, Warrior King of the Vampires loathes the Night of the Proffering. He needs the blood of either his mate or a human virgin to maintain his strength, but hasn’t enjoyed the ritual since he lost his mate. Until he lays eyes on his new offering, Shayla McKinnon, who will give him anything he wishes. Will Kael give in to their overwhelming desire–even if it means risking Shayla’s life?
Taken by the Vampire King
Henrik Magnusson is supposed to be immortal but, thanks to a mysterious ailment not even the blood of the Proffered can sustain him now. Then he rescues a beautiful young woman, and is filled with blood lust and desire he hasn’t felt for centuries…
Seduced by the Vampire
Kate Bordessa has fled to Russia to escape her family’s hopes that she’ll become one of the Proffered. But when she stumbles upon a wounded vampire, she’s instinctively driven to protect him. Will her connection now to Vampire Warrior King Nikolai Vasilyev be strong enough for her to embrace a destiny neither of them was expecting?
Who thought this was a good idea?
(Never in my life have I so fervently hoped that a cake was chocolate.)
Or, Aunt Flo help us, this?
"So, when's the party?"
"At the end of the month."
Amy M., Jenna B., & Kim W., URQTs. At least, I like to think that you are. Not in a creepy way, of course, or like I know firsthand because I secretly stalk you or anything...that would just be weird. I mean, look, I'm just trying to give you a friendly compliment, in a completely platonic, non-stalker-esque kind of way, Ok? Ok. As you were.
I am sorry to inform you, Dear Bitches, that Jane Austen: The Secret Radical is not the stirring tale of an undercover Jane who lives a life of seeming calm while secretly running top secret missions for the abolitionist movement in the dead of night. However, it’s a fascinating nonfiction piece of detective work that points out that in the context of her day, Jane would have come across as a much more politically and socially progressive writer than she does to modern readers.
Author Helena Kelly’s premise relies on the idea that every time period and every culture has its own frame of reference. If I tell you that I do all my shopping at Walmart, that tells you something about me that is different from me saying that I do all my shopping at Whole Foods. Cultural references aren’t always that name brand specific (“name brand” is, itself, a phrase that is a cultural reference) but we all rely on thousands of these references without ever thinking about it.
Over time, certain themes stay current, which is one of the reasons that so many older books remain relevant and meaningful. However, most of the references with which the books’ original readers approached the text are lost, giving the book a different flavor with each new generation of readers. Kelly tries to look at Austen’s texts through the lens of Austen’s first readers, and she finds a lot of plausible evidence that Austen was writing very progressively about marriage, class, slavery, and money during a time when England was at war and dissent or criticism was repressed, often severely.
Here’s an example: In Mansfield Park, there is one reference to slavery that all readers can easily understand, and that is when Fanny brings it up at the dinner table and is shushed. Readers with more knowledge of history also know that when Sir Thomas goes to Antigua, he’s probably dealing with problems on his plantation, which is run by slaves. So far things are pretty overt. However, readers who read Mansfield Park when it was published would also have noticed that Fanny’s favorite poet, William Cowper, was famous for his poems in praise of abolition, and that Maria quotes from a passage about slavery written by Laurence Stern that was all the rage at the time. These, among other references, are obscure today but would have been glaring to Regency Era readers.
The other method Kelly uses is to analyze the text for things like repeated words and certain symbolism. For instance, in Mansfield Park, a book that deals with the idea of being trapped in multiple ways, the word “chains” is used thirteen times whereas in all other her other books combined it’s only used twice. In my opinion, sometimes this method of analysis is plausible and sometimes not so much. It’s clear that Kelly knows her Austen. However, all English majors know the trick of making everything symbolic, whether it’s intended to be or not. I buy the idea that Northanger Abbey is a book with a lot of content regarding sexuality but I don’t buy the idea that the scene in which Catherine opens boxes is about masturbation. Sometimes a box is just a box.
This isn’t light reading, but it’s also not mired in academic jargon. To my surprise, I read it in two days, lured on by the suspense of wondering just what Austen allegedly had to say about various topics. I found the chapters on Pride and Prejudice and Mansfield Park to be the most convincing and entertaining. The amount of scholarship and the clarity and approachability of the writing is truly impressive.
One of the reasons that I loved the chapters on Pride and Prejudice and Persuasion is that while Kelly does get into the darker subtext, she also celebrates reasons that the romances in those two novels are successful at a level I hadn’t considered. With other novels, Kelly is less sanguine about the eventual happiness of the couples. If you don’t want anyone casting aspersions on Edward from Sense and Sensibility, or Knightly from Emma, or Edmund from Mansfield Park, back away from the book slowly.
I would recommend this to people who have an interest in Jane Austen at an academic level. I would NOT recommend it to people who simply enjoy Austen for some nice reading, nor to those whose primary attachment to Austen is from the television and film adaptation, which tend to soften things considerably. If you fall into either of the latter groups, then this book will either irritate you or successfully ruin all conception of Austen as light and happy. If you like getting into the nuts and bolts of writing and history, then this book will be perfect for you.
After our first and second installments of Podcast and Episode recommendations, my playlist has grown considerably. I listen to podcasts while walking my dogs and while cooking, and I find that sampling new shows is both fascinating, affirming, and intimidating. Fascinating because I learn about so many new cool things, affirming because I’m so excited when there are new shows, and intimidating because I pay closer attention to finer details of my own podcast after I listen to a new one.
But! I always love finding new episodes to recommend, either from shows I’ve already subscribed to, or shows that I’ve just discovered. Here are a few recent favorites.
If you haven’t tried Still Processing, please, please try the episode titled, “We Care For Ourselves and Others in Trump’s America.”
Morris and Wortham talk about the concept of self care, the co-opting of the term, and the history of personal, physical, and spiritual care for marginalized people. They also have a guest, Matthew Steinfeld, an assistant professor of psychiatry at the Yale University School of Medicine, talk about diagnosis and care – and about the mental and emotional toll of contentious conversations, and the personal cost of doing the work to engage with people who hold views that are toxic and bigoted. I have listened to this episode, no lie, three straight times. It’s mind blowing.
I’ve also tried a new show: Adrift, with Geoff Lloyd and Annabel Port. It’s a comedy podcast that seems to be partly about social awkwardness and embarrassment, and partly about random comedy. The two were radio DJs or presenters, and their show ended in March of this year.
The first episode featured stories about Annabel’s dog that had me laughing so hard I couldn’t go up my stairs until I calmed down. It’s sort of silly absurd comedy mixed with stories of social hesitance, and for the most part the two episodes I’ve listened to so far have been quite funny.
And finally, also new: Rough Translation, a new podcast from NPR about issues affecting countries around the world that have a parallel with issues we’re facing in the US.
The first two episodes, “Brazil in Black and White,” and “Ukraine vs. Fake News,” were so interesting, I kept shushing the dog who was whining at me. Then I realized he was whining because I was standing completely still in my kitchen, holding his food bowl, stuck in place trying to fully process what I was listening to. Poor dog (yes, I fed him and his brother).
What podcast episodes have rocked your brain lately? Got any to recommend?
• "Strike" to return in 2018.
Harry Potter – Actors and Movies:
• Review: Harry Potter Film Concert Series.
Harry Potter and the Cursed Child:
• Noma Dumezweni talk "Cursed Child".
• hp_darkarts posted HP Horror Fest coming in 2018.
• sceasleycest posted Sceasleycast December fest 2017.
• adventchallenge posted Advent Challenge 2017.
• potterfests posted Coming Up in Potterfests.
•hd_erised posted Check-in Today.
• hp_goldenage Salt and Pepper Fest.
• sirius_black Sirius Black Fest Submission Header.
General Fandom News:
• Rare First Edition of "Harry Potter and the Philosopher's Stone" for Auction.
Have a Laugh:
• Second Harry Potter Festival in Staunton, VA.
• Quidditch UK is Hiring.
Please send your fandom news to the Daily Snitch.
It’s time for Wednesday Links, where we post some neat things we’ve found on the internet. I’m currently in one of those states where I’m not sure what day it is and when I do figure it out, it’s always earlier in the week than I’d thought. Which is a real bummer.
Miss Fisher’s Murder Mysteries has a Kickstarter to be made into a movie! It’s already been successfully backed (yay!), but there are some awesome stretch goals that the team is working toward.
Big thanks to all of you who sent me the link to Entertainment Weekly’s cover reveal & interview with Lisa Kleypas. I loved this little historical fact from the Q & A:
Where did your idea for a female physician/doctor come from?
When I write these historical romance novels, I do an incredible amount of research just to get the flavor of the time period and to pick up all these details that give the story life. As I was reading about important people back in the late 1800s in England, the name Elizabeth Garrett Anderson came up. I was shocked to realize that she was the only female physician in England for 20-30 years and I had never even heard of her. After she got into the British Medical Association through a loophole after completing all these studies at the Sorbonne in France, the British Medical Association changed their rules so that no more women could be admitted for another 20 years. And I could not stop thinking about her because what an incredible thing to be the only woman in an entire country for that long. So I based this character Garrett Gibson on her and, of course, used the name Garrett, because I loved the idea of using a slightly androgynous name for this really tremendously accomplished and brave woman.
Also, what do you think of the cover? We had some thoughts here at the Bitchery.
The Ripped Bodice is doing a Blind Date with a Book, where readers can purchase books based on the description. Readers won’t know the actual title of the book until they receive it and unwrap it! I always love it when people do this. And just a reminder that The Ripped Bodice has graced us with an affiliate link for all of your online shopping.
The iGo is an itty bitty tool that unfolds to one USB connection, plus a USB and a USB Micro, so you can plug your phone into your laptop, or into a portable battery. Excellent for tiny emergency kits, too.
In a previous Wednesday Links, we mentioned that Georgette Heyer’s Sylvester was being made into a stage production. Well, welcome Reader Melinda who saw it! Here’s her review:
Not long ago you mentioned on the blog that Lifeline Theatre in Chicago is doing a stage adaptation of “Sylvester” this fall. I’m a resident of Portland Oregon but realized that I’d be in Chicago visiting family during the play’s previews. So we got tickets.
Yesterday afternoon we went to the show, and I am pleased to report that it was well done and very, very fun! All of us enjoyed it–not only myself and my daughter, who are Georgette fans and familiar with the story, but also my husband and son in law who had never heard of Georgette or Sylvester.
The theatre is small, so the environment is intimate, and the production is creative (costumes are suggested, casting is diverse, each actor plays many parts, and there is a “game of love ” theme that organizes and comments on the action). I was personally amazed that such a long and complex novel could be dramatized in a way that made it manageable for a 2-hour running time and yet retained the essential character (and comedy) of the book.
Interestingly enough, the program mentioned that this is the theatre’s fourth adaptation of a Heyer novel, so it seems they have an interest in this kind of literature. They also seem to have done adaptations of Dorothy Sayers and “Miss Buncle’s Book.” If I were a Chicago resident I would definitely be keeping my eye on their future productions
Does anyone else plan on seeing it?
Erotic romance author, Selena Kitt, did an AMA (ask me anything) over at Reddit and I thought the Q & A was pretty informative for authors! Check it out! She talks about promoting books, how to manage a large backlist of books, and more.
Don’t forget to share what super cool things you’ve seen, read, or listened to this week! And if you have anything you think we’d like to post on a future Wednesday Links, send it my way!
RECOMMENDED: Level Up by Cathy Yardley is 99c! Sarah and author Bree Bridges (one half of Kit Rocha!) had an entire podcast episode dedicated to squeeing about this book. If you want more geeky romances in your life, the next book, One True Pairing, is also on sale!
Geeky introvert Tessa Rodriguez will do whatever it takes to get promoted to video game engineer– including create a fandom-based video game in just three weeks. The only problem is, she can’t do it alone. Now, she needs to strong-arm, cajole, and otherwise socialize with her video game coworkers, especially her roommate, Adam, who’s always been strictly business with her. The more they work together, though, the closer they get…
Adam London has always thought of his roomie Tessa as “one of the guys” until he agreed to help her with this crazy project. Now, he’s thinking of her all the time… and certainly as something more than just a roommate! But his last girlfriend broke up with him to follow her ambitions, and he knows that Tessa is obsessed with getting ahead in the video game world.
Going from friends to something more is one hell of a challenge. Can Tessa and Adam level up their relationship to love?
Crossing the Line
Crossing the Line by Audra North is 99c! This is the third book in the Hard Driving series, but it works fine as a standalone. I’ve read some of North’s books in the past and she does write some pretty sexy contemporaries. Readers loved the chemistry between the hero and heroine, but others wanted more racing action.
He wanted her the first time he saw her. It didn’t matter that he was on stage in front of a room full of reporters, or that his publicist was telling him to move on, or that she was asking him a question about racing. One look at her “just been bedded” hair — completely at odds with her deliciously prim appearance — and Ty Riggs is hooked.
Corrine Bellows is one of the woefully few women in a male profession: sports reporting. In a field where “Hey, sweetheart, can you fetch me a cup of copy” is part of her job description, she’s determined to keep things professional. And while interviewing Ty Riggs, the hottest new driver on and off the track, is a major scoop, Corrine knows that she is in major trouble when it becomes clear that Ty wants so much more and is determined to get it. As things heat up between them, Corrine finds herself on shakier ground. Her big secret just may destroy everything.
Beauty and the Highland Beast
Beauty and the Highland Beast by Lecia Cornwall is 99c! This is a historical romance with Beauty and the Beast elements. Readers say the book has a great start introducing the hero and the heroine, but there were others who felt a lot of the plot points seemed unnecessary. It has a 3.8-star rating on Goodreads. This is the first book in the A Highland Fairytale series and right now, you can grab all three books for less than $3!
Powerful and dangerous highlander Dair Sinclair was once the favored son of his clan, The Sinclairs of Carraig Brigh. With Dair at the helm, Sinclair ships circled the globe bringing home incredible fortune. Until one deadly mission when Dair is captured, tortured and is unable to save his young cousin. He returns home breaking under the weight of his guilt and becomes known as the Madman of Carraig Brigh.
When a pagan healer predicts that only a virgin bride can heal his son’s body and mind, Dair’s father sets off to find the perfect wife for his son. At the castle of the fearsome McLeods, he meets lovely and kind Fia MacLeod.
Although Dair does his best to frighten Fia, she sees the man underneath the damage and uses her charm and special gifts to heal his mind and heart. Will Dair let Fia love him or is he cursed with madness forever?
Meat by Opal Carew is 99c! It doesn’t look like this book is part of any series, so you can read without worrying about details from any previous books. I wanted to include this book because the title made me giggle. This definitely falls into the erotic romance category, so expect a lot of sexytimes. However, readers thought the book could have benefitted from being a bit longer.
Just one taste isn’t enough…
I ran into Rex Keene—literally—when I was trying to catch my flight and his muscled, tattooed arms stopped my fall.
Then our flight gets canceled, and we’re stranded in the same hotel room together…it ended up being the steamiest night of my life.
All I knew is that I had to see him again.
I just didn’t expect him to show up a week later in the restaurant I manage…as our new head chef.
But the generous, tender man I spent that night with is gone; instead he’s arrogant, demanding, and terrorizing the staff.
But he won’t give up until we’re together – and I’m not sure I can stay away.
Which man is real?
Who is Rex Keene?
Imani wanted this cake for her wedding, only with bright lime green flowers instead of pink:
She got this:
And Meredith asked for this design with little pumpkins instead of apples:
... but she got this:
And finally, as a baker herself, Zoey decided to keep her wedding cake design SUPER simple to avoid potential wreckage:
No piping required! Just plain frosted tiers and colored sugar crystals!
Say it with me, now:
What could possibly go wrong?
Oooh, Sherlock, you so bad.
Thanks to Imani R., Meredith R., & Zoey K., who want to know if I seriously just turned this post into a SuperWhoLock love fest. And the answer is yes, YES I DID.
It’s getting a little bleak for me, reading-wise. This was the first book I finished after 8 DNFs in a row, some of which were nonfiction and some romance or fantasy. I was pretty excited that the beginning of this story was so promising. Then it became repetitive, emotionally limited, inconsistent, and then offensive.
Summary time! Stella Newport is a brand new FBI agent. Specifically, she’s a Lark, which is the name given to the agents in the paranormal investigation division. She’s sent to work with a curmudgeonly, unkind agent named Oswald Bolton, known informally as “Oz.” There are a couple of familiar character types here: the intelligent rookie who is more than she seems, paired with an experienced, jaded agent who lost his partner prior to the start of this story, and who doesn’t want to work with anyone else because emotional vulnerability is awful and he hates it. He works alone – doesn’t anyone understand that?!
This novel is book 1 of a new series called “Lark Nation,” but according to the listing, it’s part of the same universe as another series. First off: I do not think this book works as a stand-alone, and that’s a shame. The exposition and world building presumed that I knew things that I did not, and many major elements, like the entire other worlds and universes that exist parallel to the one the characters inhabit, are very sparsely described.
As a result, I switched between being frustrated that I didn’t get what the characters were talking about and being annoyed that they were so lacking in basic understanding of jurisprudence. For FBI agents, they didn’t know much about aspects of investigation that I would think were obvious. For example: if you suspect your partner has been hit in the head with a brick, throwing that brick into the water while you’re having a tantrum because she’s been fridged seems like a bad idea. Oz’s reasoning is that the rain washed away the evidence that it was used in an assault, but that’s some pretty flawed reasoning for an experienced agent. There are also multiple instances where “something” isn’t right, or “something” seems off, but the main characters shrug it off, or figure they’ll deal with whatever it is at a later time.
Stella and Oz are in Maine investigating a beheading. Some guy was walking home at night on a deserted road, and a headless horseman shows up and lops his head clean off. So Stella is sent to assist Oz, who is already on site, but because there are so many supernatural crimes happening all over the country – a byproduct of some event that happened in the earlier series which I didn’t read – there’s not much in the way of backup for either of them. At one point Stella has a call with her supervisor where she has to tell him about a few more beheadings that happened, and I was so confused how that wasn’t information said supervisor would need to know as soon as they had happened.
The book started out pretty strong: Stella is nervous about her first investigation, but very smart, capable, and confident in her training and her abilities.
Then we meet Oz. Oz is grumpy and also, he’s an asshole. They start by trying to figure out why the dude lost his head. Then more people start dying, and the narrative starts repeating itself. For example: I was told over and over that Stella isn’t sure if she wants to be the one who breaks down Oz’s defenses/”scale the concrete wall Oswald…had built around his heart”/lather rinse repeat.
Honestly, I didn’t care if she did or not. It was perhaps the second or third day of their working together, he barely managed to treat her with respect, and I didn’t really know the scope of what happened to him in the first place. I have dreadfully low tolerance for characters who lack any emotional fluency, and even less for people who use that excuse to treat other people poorly. Example: here’s Oz after he berates a local cab driver – and this is in a small town where he and Stella are already worried about gossip regarding the FBI’s presence and investigation:
Oz knew he’d been too hard on the guy, but again, he couldn’t bring himself to care about the feelings of a random stranger who would ultimately mean nothing in the grand scheme. The cabbie would get over his scare, resume his normal activities, and live, if not happily ever after, then some mediocre variation.
Nice, huh? And it’s pretty consistent with how he treats ancillary characters. I don’t care what kind of structures he’s built around himself. It’s probably a good idea he stay inside them. One of the goals (I presume) of this book is to establish Stella and Oz’s partnership as agents, but the overtly romantic tone, the constant reassertion that it’s somehow Stella’s job to emotionally heal Oswald, and the compressed time period of a few days or maybe a week, did not do enough to make me believe in their alleged progress.
The two things that frustrated me most, aside from the repetitiveness of Stella vs. Oz Walls, were as follows.
First: there was not enough connecting the magic to reality. There’s a magical world connected to the real one, and the FBI has some sort of jurisdiction over it. But how that works is not ever fully explained, nor is their authority over magical events that happen to humans. Stella has some kind of magical ability (more on that in a moment) and both she and Oz have mage kits and magical rings but the integration of their individual magic into the reality they inhabit was also poorly built. The magical rings are particularly ludicrous: to use one, they have to point the ring at a target and yell “SHOOT!” to make things happen. I kept picturing the elementary school kids in my neighborhood playing superhero and waving their hands at each other: “BOOM! You fell down!” Without a more robust explanation of how the magic works, what the cost is, what its effects are, why they have it and some don’t, the whole wave-your-ring-at-the-bad-guy part seemed dumb.
Then, there’s this part which ruined the whole book for me. Get ready.
Stella is described by Oz when he meets her as follows:
She was roughly twenty-five and built like a ballet dancer, with light brown skin and facial features that spoke of a multiracial ancestry. Her long hair was tamed into a ponytail of black ringlets, leaving no shadows on her face to hide her bright green eyes. No, vividly green eyes. Eyes that almost seemed to shine, even.
I didn’t read about any other characters of color aside from Stella, but figured there would be some. To my knowledge, there were not – though I may have missed a description or two, as I began reading pretty quickly once the book began to sour for me.
Then Oz and the reader learns something pretty crucial about Stella:
Stella is revealed to be a powerful telekinetic, and part fae. Oz, it turns out – and this is revealed about him after Stella divulges that her grandmother is Summer fae – hates and distrusts the fae. Which leads to this rumination on his part:
Faeries were not his favorite creatures – they stood one step below vampires on his list of THINGS I HATE – but most of his ire was directed at full-blooded fae. They were mischievous, sadistic creatures, who’d taken their inability to lie and honed it into a mastery of manipulation. They were cold, callous, crafty, and clever, and every interaction Oz had with them in the past ended in absolute disaster….
To think Newport had their blood running through her veins unnerved him. It made him question everything she’d said and done since the moment they met. But…Oz rejected the impulse to categorize Newport with her inhuman relations….
No, Newport’s interactions with Oz had been true to form. She was what she appeared to be. Headstrong. Smart. Practical. Controlled…. She didn’t have faults as an agent that a few years of fieldwork wouldn’t fix.
Weighing all those qualities against her fae blood, Oz could find no legitimate reason to shun her. Her heritage was beyond her control. Her behavior was not, and what she’d displayed so far spoke of a talented agent in the toddler phase who’d one day grow to be a truly spectacular force.
My comment on my device: “Oh, no.”
So Stella is to my knowledge the only character of color in the book, and she’s part fae. But it’s ok: she’s not like other fae, and though Oz hates them all, she’s proved herself so he won’t shun her. Am I supposed to look at Oz favorably for overcoming his own prejudice? Am I supposed to ignore the substitution of “fae prejudice” for racial prejudice?
WHAT. THE. ACTUAL. LIVING. HELL.
If I cringe any harder, I’ll develop a hernia. Sloppy characterization that’s painfully racist is not what I wanted. I’ve sat here watching my blinking cursor trying to think of coherent words to respond to that scene. Stella even lampshades herself in an earlier part of the book, joking with a receptionist who expected Oz’s new partner to be “another brown-haired man around thirty-five” that her unit is “a little more diverse.” But she’s still a token character – on multiple levels.
I get so excited when I see more inclusivity in the fiction I buy. But this is not the representation I’m looking for. This is the exact opposite.
I was close enough to the end that I finished the book, but neither Oz nor the story were redeemable for me. There was so much potential in the first chapters: a bit of X-Files with a complicated set of partners, plus a headless horseman – who talks to the heroine! They have whole conversations after he yanks his head out of his saddlebag! They were the most interesting pair in the book, now that I think about it.
I would have been a lot happier if Stella had left Oz to his grumpy racist emotional navel gazing and run off with the murdering headless horseman.